*) The 11 (4th) will normally not be added to a V7 chord. In this article we will be looking at altered dominant chords. Types of altered chords and chord extensions Dominant 7th chord. Technically, a dominant 7th chord is the 7th chord build on the 5th scale degree (dominant) of the... Chord extensions. AND substituting the 56, for b5/#11, #5/b13 Have fun exploring all the variations of altered dominant chords. There are, for example, altered dominant seventh chords with a flattened or a sharp fifth: 7-5 and 7+5. Altered chords are thus constructed using the following notes, some of which may be omitted: C7+5 D7+5 E7+5 F7+5 G7+5 A7+5 B7+5. Altered chords are a special category of chords that - as the name implies - alter other chords. Mentally practice the altered scale – Think slowly through every dominant chord using the altered scale by substituting the 9th for the b9 and #9, and raising the 11th as you did with diminished. If you use a fourth, you will omit the third. See diagrams of altered chords: C7-5 D7-5 E7-5 F7-5 G7-5 A7-5 B7-5. ... Just add the #’s 7 + 2 = 9. In an altered dominant 7th chord altered tension tones (b9, #9, #11 or b13) are added to the basic chordtones instead of natural tension tones (9, 11* or 13). Altered chords have one or more notes lowered or raised by a half-step, in other words they contain one or more alterations. Altered chords. There are many different ways of notating altered chords, but you may see them written out as C7 Altered Chords Altered chords are, as their name suggests, standard diatonic chords in which one or more of the notes have been altered, either by being sharpened or flattened. C7-9 D7-9 E7-9 F7-9 G7-9 A7-9 B7-9 These alterations can be b 9,#9, b 5 (#11) and b 13 (#5). Altered dominant chords are used to bring tension and an outside flavor to jazz chord progressions. They generally resolved to an inside chord as the I or a substitute as iii or vi. 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