Besides the murder of the Negro in the Parisian hotel, […], “A Rose for Emily,” written by Faulkner in 1931, looks back at the life of Emily Grierson once she passes away and as some acquaintances and family members of hers […], William Wordsworth himself once said, “Poetry is the spontaneous overflow of powerful feelings.” Wordsworth, like most romantic poets, had a strong attitude towards the rebellion against the industrial revolution and […]. "Composed Upon Westminster Bridge" is a Petrarchan sonnet, as opposed to a Shakespearian sonnet or a Spenserian sonnet. Children are not corrupt by the ‘vaulting ambition’ which drives adults to perform uncanny behaviour, and therefore have the natural divinity to clearly see and experience nature. "Composed upon Westminster Bridge, September 3, 1802" is an Italian sonnet, written in iambic pentameter with ten syllables per line. The first eight lines is the octave, and the next six lines is the sestet. The poet “never felt, a calm so deep.” How deep is the calm? The poem takes the outer form of a Petrarchan sonnet, which has fourteen lines, which are usually … The noon city expresses images of congested traffic, loud senseless noises and polluted air – an industrialised society working at full capacity. Songs of Ourselves William Wordsworth. This mimics the sonnet form of Shakespeare, where the crux of the sonnet dealt with the everlasting beauty of women. 3, 1802Earth has not any thing to shew more fair:Dull would he be of soul who could pass byA sight so touching in it’s majesty:This City now doth like a garment wearThe beauty of the morning; silent, bare,Ships, towers, domes, theatres, and temples lieOpen unto the fields, and to the sky;All bright and glittering in the smokeless air.Never did sun more beautifully steepIn his first splendor, valley, rock, or hill;Ne’er saw I, never felt, a calm so deep!The river glideth at his own sweet will:Dear God! The very houses seem asleep; William Wordsworth composed this Petrarchan sonnet on the “roof of a coach, on [his] way to France.” He was anxious about his reunion with and final departure from his mistress Annette Vallon and daughter Caroline. The calm is like “the river glideth at his own sweet will.” What is the response of the poet? Wordsworth muses upon the tranquility to be found in nature, and when in “pensive mood” he contemplates the “flash,” the brief memory of the daffodils. Here is the poem, and a few words by way of analysis: Earth has not anything to show more fair: Dull would he be of soul who could pass by. "Composed upon Westminster Bridge" is a sonnet composed by William Wordsworth in 1802. Composed Upon Westminster Bridge William Wordsworth 2. William Wordsworth was a leading figure in the Romantic movement and although many of his poems deal with rural themes Upon Westminster Bridge describes a very urban landscape. 2-William Wordsworth drew a very nice picture of London in his sonnet "Composed upon Westminster Bridge". “Composed Upon Westminster Bridge, September 3, 1802” by William Wordsworth depicts a sleeping and arising London in the early morning. This shows Wordsworth’s overflow of emotion with regards to his imagery of the “beauteous evening” and the love he feels for his daughter, who is pure and innocent of heart.Wordsworth’s poems and sonnets, “Daffodils” and “Composed upon Westminster Bridge,” convey the thematic preconceptions of politics, imagination and most importantly the relationship between God, nature and man. Then again maybe we’re lucky that no such modern technology existed in 1802! Composed upon Westminster Bridge, September 3, 1802 Lyrics . Lines 9 and 11 both use hyperbole, in which he claims that the effect of the morning light on London creates a COMPOSED UPON WESTMINSTER BRIDGE William Wordsworth Earth has not anything to show more fair: Dull would he be of soul who could pass by A sight so touching in its majesty: This City now doth like a garment wear The beauty of the morning; silent, bare, Ships, towers, domes, theatres, and temples lie Open unto … Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings. Wordsworth is critical of the man who can not stop to appreciate the beauty of the city in the hectic intercourse of daily life, “Dull would he be of soul who could pass by a sight so touching…the beauty of the morning.” He comments that society has lost touch with the divinity that allows man to see natural beauty.Wordsworth contrasts the morning city and the noon city, creating two entirely different worlds. This quote by Theseus encompasses the notion of love as being […], The most compelling characters in modern literature and plays are the ones whose motivations tend to be complex, thus demand a deeper analysis of which part of their conscious their […], The Plague is an exploration of caricatures and how they respond in desperate situations. The poem takes place in the “Beauty of the morning,” which lies like a blanket over the silent city. Wordsworth says that the majority of people float “high o’er [the] vales and hills,” like a cloud, where the hosts of daffodils grow. It destroys the good qualities of sympathy and kindness in humanity, and replaces them with a sense of malice and corruption. The poet says that it was very early in the morning and the city was still asleep. It focuses on the beauty of the city, and a small second of the narrator’s life in which … Earth has not anything to show more fair: Dull would he be of soul who could pass by A sight so touching in its majesty: This City now doth, like a garment, wear The beauty of the morning; silent, bare, Ships, towers, domes, theatres, and … It is a Grade II structure – meaning that it has historical and cultural significance – and it was designed and built between 1739-1750 by the architect Charles Labelye; it proved essential in ferrying traffic to the … Wordsworth’s line “The river glideth at his own sweet will’ … Upon Westminster Bridge Lyrics. “God being with thee when we know it not,” at this point the poet believes that his daughter is unconsciously devout, though she is outwardly untouched by the beauty of the evening.