Designed to hang in the world’s finest recording studios and performance halls equally as well as home studio spaces, its existence is a labour of love for RØD Due to their figure-of-8 polar pattern, massive low-end pick-up, and natural high-frequency roll-off, ribbons really hear more like your ears than any other mic out there. Always an industry standard, this AKG small condenser mic is often overlooked nowadays for some of the newer ribbon mics, which are also great. Any effects in use on the vocal channel? One free ribbon replacement during warranty period; 10 year extended warranty when you register your microphone; At first glance of the NTR you’re aware that it’s very special and unique – an intricate blend of art and science. The AKG C451B picks up where the C451 left off. The Royer SF 12 Stereo Ribbon Microphone was the mic that first took me to Royer. Ribbon microphones are purpose built for capturing the delicate nuances of every performance.. Read more. Record your sound with accuracy. Few people would argue that this AKG mic has long been known as the most versatile condenser mic in existence, as it sounds good on virtually everything. Of the two tracks you posted, I prefer the MXL 860 ribbon, since to my ear the AKG 214 condenser has either more room sound in it or more effect. Record your sound with accuracy. The ribbon track would give me a better starting point for a mix. A ribbon microphone, also known as a ribbon velocity microphone, is a type of microphone that uses a thin aluminum, duraluminum or nanofilm of electrically conductive ribbon placed between the poles of a magnet to produce a voltage by electromagnetic induction.Ribbon microphones are typically bidirectional, meaning that they pick up sounds equally well from either side of the microphone. The first condenser mic I’m referring to is the AKG C414. Ribbon microphones are the most natural mics that you can use to capture the sound of an instrument, a voice, and even the ambience of a room. This mic should be in the mic locker of every writer, performer and engineer. And electric guitar cabs are definitely no exception. Originally manufactured by hand in New York by designer and recordist Bob Speiden, I gather only around 100 or so were made before the design was licensed to Royer. Ribbon microphones are purpose built for capturing the delicate nuances of every performance.. With their figure-8 polar pattern, you’ll discover highly dynamic audio, perfect for instruments, vocals, and more. While it is not so useful for the styles of music I work with, it is an impressive mic for its character alone. What were the mouth-mic distances in the two cases? The Sontronics Sigma had a pleasing, 'old style' ribbon character, and a good level of detail. I also have an AKG D202E "sound rocket" and, though not velvety like a ribbon mic, it gives my voice plenty of bottom and seems to be much less bothered by the reflective monitor, so I may stick with it. The sound rocket looks cool, too. GA's R1 Tube mic, in particular, can make a good character mic, or a good mic to use as part of a multi-mic setup.